Tag: Daniel Ek

Evolving How We Lead

Earlier today, Founder & CEO Daniel Ek shared the following note with all Spotify employees. More detail can also be found in the press release here.

Team, 

In the Spotify of today, all eyes (and ears) are on us. There’s not much we do that goes unnoticed. But that wasn’t always the case. In a small makeshift office in Riddargatan, Stockholm, a few of us set out to solve what felt like an impossible idea: to make every song available instantly, legally, in a product people love. Fast forward almost 20 years later and that “impossible idea” has become a platform that is used by almost three-quarters of a billion people around the globe. We’ve helped reshape an industry that is not only growing again, but reaching new heights.

I don’t often pause to reflect because looking ahead has always been my instinct. But I’m incredibly proud of what we’ve created together—a beloved user experience, a business that thrives, and a team that continues to raise the bar. A huge amount of credit goes to Alex and Gustav, who have led with skill, vision and conviction. They have proven themselves again and again, and I believe they are ready for what’s next.

So, with full confidence in Gustav and Alex, on January 1, 2026, I will move to Executive Chairman, and Gustav and Alex will become our co-CEOs and they will also join our Board of Directors (with approval from shareholders).

I have always thought about roles as missions. At Spotify, I have had about nine missions while keeping the same title. In the early days, I assembled furniture and negotiated our first deals. I ran finance, I led product and then I led sales and then marketing. I have held roles and done jobs across most teams here. This is simply my next mission. My title changes—but my commitment and belief in what we’re building does not.

For most of you, very little will change. Spotify has a strong leadership team in place and a solid plan we are executing against. That’s not changing. What changes is my time and focus. As Executive Chairman, I will spend more of my time on the long arc: strategy, capital allocation, regulatory efforts and the calls that will shape the next decade for Spotify. Gustav and Alex will continue to report to me and we will work closely together with our Board of Directors. This approach reflects a European Chairman setup, which is quite different from a traditional U.S. one that many of you might be familiar with. This also means I will be more hands on than some of my U.S. peers who have a Chairman title. 

Why now? Because Alex and Gustav have clearly demonstrated that, with the support of this remarkable team, they are ready to lead Spotify as co-CEOs. And because you all have stepped up, I can confidently step back from the day-to-day. Together, we’ve shown the world that Spotify is not only a great product but also a great business—delivering our first full year of profitability in company history. We couldn’t be better positioned. And to be clear, I’m not leaving. I’ll remain deeply involved in the big, defining decisions about our future, partnering with Gustav and Alex as they lead the way forward.

A personal note on what’s next for me. I am often asked, “How do we build more Spotifys out of Europe?” That’s why several years ago, I announced my intention to help create more of these supercompanies—companies that are developing new technologies to tackle some of the biggest challenges of our time. I’ll share more about how I’ll put some of my builder energy there. But today is about Spotify.

Thank you for two extraordinary decades. Thank you for your belief in making impossible ideas possible, and for allowing me the greatest privilege of a lifetime. Let’s keep going—harder, better, faster, stronger. 

Daniel

Spotify Announces Leadership Evolution: Daniel Ek to Become Executive Chairman, Alex Norström and Gustav Söderström to Become Co-CEOs in January 2026

The following press release went live on Business Wire earlier today. You can also find more detail here in Founder & CEO Daniel Ek’s letter to employees.

Stockholm and New York — 30 September, 2025

Today, Spotify (NYSE: SPOT) announced that Founder and Chief Executive Officer Daniel Ek will transition to the role of Executive Chairman effective January 1, 2026. The company also announced Gustav Söderström, co-President and Chief Product and Technology Officer, and Alex Norström, co-President and Chief Business Officer, as its co-Chief Executive Officers. They will report to Daniel Ek and will also serve on the company’s Board of Directors subject to shareholder approval. 

This evolution formalizes how Spotify has successfully operated since 2023 with the co-presidents largely leading strategic development and operational execution of Spotify. As Executive Chairman, Ek’s role will more closely reflect a European Chairman setup, where he will determine capital allocation, map the long term future of Spotify and continue to provide support and guidance to its senior team. 

“I always believed that Spotify could play an important role in revolutionizing listening around the world, and with more than 700 million users, we’ve truly charted a new course bringing creativity to every corner of the globe,” said Daniel Ek. “Over the last few years, I’ve turned over a large part of the day-to-day management and strategic direction of Spotify to Alex and Gustav–who have shaped the company from our earliest days and are now more than ready to guide our next phase. This change simply matches titles to how we already operate. In my role as Executive Chairman, I will focus on the long arc of the company and keep the Board and our co-CEOs deeply connected through my engagement.”

Woody Marshall, Lead Independent Director of Spotify’s Board, said, “The Board has been working closely with Daniel on the evolution of Spotify’s leadership structure for several years. We have tremendous confidence in Alex and Gustav as they step into these roles. They each have more than fifteen years with the company and have been instrumental in driving our success and enabling Spotify to lead our industry. We are also thrilled that Daniel will be actively involved, giving Spotify both founder-led strategic stewardship and mentorship to the co-CEOs as the company continues to innovate and scale.”

The new co-CEOs said in a joint statement, “We’ve worked together a very long time and have seen Spotify through many different chapters. Nearly three years ago, when we stepped into our role as co-Presidents, we charged our teams with relentlessly focusing on building the best and most valuable experience available anywhere and that ambition hasn’t changed. While we bring different experiences and perspectives to the CEO role, we both have a strong bias to action and can’t wait to get started knowing that we will have Daniel’s full partnership and ongoing support.”

These changes will all be effective January 1, 2026.

The company will host a live question and answer session to discuss the transition on Tuesday, September 30th at 8:30amEST. A live webcast of the call will be accessible at investors.spotify.com.  

About Spotify Technology S.A.

Spotify’s platform revolutionized music listening forever when we launched in 2008. Today, more listeners than ever can discover, manage and enjoy over 100 million tracks, nearly 7 million podcasts titles, and 350,000 audiobooks a la carte on Spotify. We are the world’s most popular audio streaming subscription service with more than 696 million users, including 276 million subscribers across 184 markets.

Investor Relations:
Bryan Goldberg
ir@spotify.com
investors.spotify.com

Public Relations:
Dustee Jenkins
press@spotify.com

Sony Music Group and Spotify Announce Expanded Multiyear Global Partnership

Spotify and Sony Music Group today announced an extension and expansion of their long-standing, successful global partnership. As part of their ongoing collaboration, Sony Music Entertainment and Sony Music Publishing have each entered into multiyear agreements with Spotify focused on delivering continued growth and innovation in music streaming that provides greater value for artists, songwriters, and consumers worldwide.

Together, Spotify and Sony Music Group will work to keep improving the listening experience while creating more opportunities for artists and songwriters to reach audiences everywhere. These initiatives will launch new product offerings, including enhanced audio and visual formats that enable deeper connections with fans.

Spotify’s agreement with Sony Music Publishing includes a new direct licensing arrangement in the US, ensuring songwriters share more directly in the growth of streaming.

“Our partnership with Sony is built on a shared drive to shape the future of music. Together, we’re accelerating the pace of innovation to create powerful new opportunities and increasing revenue for artists and songwriters,” said Daniel Ek, Spotify’s Founder and CEO. “These agreements aren’t just a milestone; they’re a catalyst for building a more dynamic and prosperous music ecosystem for everyone.”

Rob Stringer, Chairman of Sony Music Group, said, “Sony Music Group and Spotify have long been mutually committed to advancing music streaming and growing the marketplace for all. This is further reflected in our new agreements, where we’re working to develop futuristic approaches that ensure our artists and songwriters remain appropriately compensated for their work, and audiences are getting a high-quality experience that’s ever evolving.”

“These deals with Sony Music Group are built to better support artists and songwriters by unlocking new formats and forging deeper connections with fans,” said Alex Norström, Co-President and Chief Business Officer at Spotify. “This alignment creates space for new opportunities and long-term growth for everyone involved.”

Spotify Reports Fourth Quarter 2024 Earnings

Today, we announced our fourth quarter 2024 earnings, closing Q4 stronger than ever by outperforming across key metrics and celebrating our first full year of profitability. Take a look at the highlights below:

  • Monthly Active Users grew 12% Y/Y to 675 million.
  • Subscribers increased 11% Y/Y to 263 million.
  • Total Revenue was up 16% Y/Y to €4.2 billion.
  • Gross Margin climbed by 555 bps YoY to 32.2%.
  • Operating Income rose to €477 million.

“I am very excited about 2025 and feel really good about where we are as both a product and as a business,” said Daniel Ek, Spotify Founder & CEO.We will continue to place bets that will drive long term impact, increasing our speed while maintaining the levels of efficiency we achieved last year. It’s this combination that will enable us to build the best and most valuable user experience, grow sustainably and deliver creativity to the world.”

Interested in hearing more? Click here to review the full earnings release and listen to the webcast Q&A on our Investor Relations site here.

Spotify Unveils Uninterrupted Video Podcasts, Audience-Driven Payments, and the New Spotify for Creators Platform

Live from Spotify’s LA campus, today we announced a series of new offerings aimed at helping creators significantly grow their audiences and better monetize their video podcasts on Spotify. During Now Playing, some of the world’s leading creators, artists, and authors joined us for valuable updates on our business from company executives, connected with Spotify’s Creator Partnerships team, and explored our state-of-the-art video and audio production facilities.

Daniel Ek (Photo by Leon Bennett/Getty Images for Spotify)

“Spotify Premium has long set the standard for listening on any device,” shared Spotify founder and CEO Daniel Ek. “By delivering a best-in-class video offering uninterrupted by ad breaks, combined with Spotify’s flexibility and ubiquity, we can provide an experience for your audience that is superior to any platform. And by giving you, the creators, another path to monetization beyond ads, we’re freeing you up to spend more time doing what you love: creating.”

So, what’s in store for creators? They’ll be part of a new and industry-leading audience-driven payout model for Premium video consumption, and their fans will now get video content uninterrupted by ads. Spotify’s Partner Program, a brand-new monetization program for creators hosted with Spotify, will launch that allows creators to earn more for their audio and video content. This program will offer both audience-driven payouts from our premium video revenue and an Ads component.

Spotify is one of the largest platforms in the world for creators, with more than 640 million users and more than 250 million subscribers. Video consumption is rapidly growing on Spotify, so we’re improving the viewing experience and equipping creators with the tools and resources they need to connect with fans, grow, and monetize. 

We’ve seen shifts in podcast trends across the industry globally, and one of them is that video consumption hours have expanded rapidly—more than 250 million users have watched a video podcast on Spotify, and nearly two-thirds of podcast listeners say they prefer podcasts with video.

The number of creators actively publishing videos monthly on Spotify has grown by more than 50% year over year. There are now more than 300,000 video podcast shows on Spotify, including popular shows like The Joe Rogan Experience, Call Her Daddy, The Diary Of A CEO with Steven Bartlett, Rotten Mango, The Comment Section with Drew Afualo, Therapuss with Jake Shane, What Now? with Trevor Noah, Modern Wisdom, Erika Taught Me, and more. We’ve also recently activated music videos in 85 additional markets, and the engagement has continued to soar.

Photo by Presley Ann/Getty Images for Spotify

“By many metrics, it is the fastest way to succeed on Spotify today. Half of the new podcasts that build sustained audiences include video,” said Spotify Co-President and Chief Product Officer Gustav Söderström. “And with the new tools, features, and experiences we’re launching, we expect that edge will continue to grow. This is an opportunity for everyone in the room and beyond.”

For creators 

How does it all work? Whether someone is a current audio-only podcaster, new to embracing video on our platform, or an established video creator not yet on Spotify, our latest video offerings will unlock additional paths to monetization and growth.

Monetize
Eligible creators can apply now to join the Spotify Partner Program. This new monetization program opens more opportunities for creators to earn revenue for their content and transform their shows into sustainable businesses. The Spotify Partner Program has two components: Premium Video Revenue and Ads. Both programs will be available to creators to earn revenue based on video consumption from Spotify Premium subscribers in the U.S., U.K., Canada, and Australia beginning in January.

Grow
We’re evolving our podcaster platform to better serve the needs of today’s multiformat creators with a more expansive and streamlined hub: Spotify for Creators.

Connect
We’re creating more opportunities for creators to deepen connections with their fans and deliver the best video-viewing experience with Spotify.

Discover
We’re introducing video clips for creators to enhance discoverability and promote their podcast episodes on Spotify.

Click to read more details about these new opportunities and programs for creators and consumers.

“This is an opportunity for everyone in the room and beyond,” Gustav continued. “Our goal is to build the best experience for you so that you can better connect with your audience. And deliver your creativity to the world.”

For the fans

As we’ve made it easier for fans to navigate and discover music, podcasts, and audiobooks on Spotify, we’re leveraging our platform’s flexibility to give fans new ways to experience video. 

In addition to Premium subscribers in the U.S., U.K., Australia, and Canada getting video content uninterrupted by ads beginning in January, we’re making it easy for fans to stream their favorite video content in the foreground or background without disrupting the experience—whether they are using Spotify Free or Premium. For example, they can begin an episode while getting ready for the day, watching in the foreground before slipping their phones into their pockets to continue listening in the background as they commute. 

Fans can expect an array of great video features, including chapters, comments, pinch-to-zoom, thumbnail scrubbing, and new ways to find and go deep on podcasts.

Check out more coverage from Spotify’s Now Playing event.

The U.K. Holds Firm in the Fight for Fair Competition With the DMCC Act, But It’s Not Over Yet

For more than a year, the U.K. government has been working to redefine how the internet works in the U.K., giving consumers greater choice and control over their digital lives and empowering small businesses to have a fair shot at competing with online giants. Having been rightly prioritized as the most important bill to be finalized before the U.K. prepares for a general election, the Digital Markets, Competition and Consumers (DMCC) is now law. It promises to revolutionize the U.K. digital landscape, forcing Big Tech companies like Apple to compete fairly for consumers’ business and opening up unprecedented opportunities for creators across the U.K. to thrive.

Done right, the DMCC can have manifold benefits. For consumers, the DMCC makes the digital marketplace more competitive, lowering prices and giving them more choice and control. For businesses and creators, it delivers the opportunities they need to grow, compete, and succeed. And for the U.K. as a whole, it makes the country a more globally competitive and attractive place to do business.

But even with the law now firmly in place, the fight isn’t over. 

As Spotify’s Founder & CEO Daniel Ek points out, “Apple has spent millions—in country after country—trying to circumvent and make a mockery of laws like the DMCC. They’ve already broken rules in the U.S., Netherlands, Japan, South Korea, and Europe. The DMCC has the potential to unlock real competition and growth and Apple must be held accountable in the U.K. because we cannot miss the opportunity to get it right.”

Similar to the DMCC, the E.U.’s Digital Markets Act (DMA) was supposed to end the unfair stifling of innovation that Apple had tried to disguise as security protections. But in response to the law, Apple has purposefully created an alternative to the status quo of the 30% commission fee it charges for in-app purchases. They now force developers to pay Apple a 0.50 fee for every customer download, in addition to a recurring 17% digital goods fee for every purchase made. Under the DMA, developers would now owe Apple millions if their apps were to go viral.

Dustee Jenkins, Spotify’s Chief Public Affairs Officer, said, “We were proud of Europe for leading the way and assumed Apple would have no choice but to comply with the law. But we were wrong—it’s not been enough. This can’t be allowed to happen in the U.K. It would undermine this world-leading piece of legislation, harming consumers and businesses across the country. Learnings have to be taken from Apple’s continued bad behavior around the world and the DMCC has to be implemented quickly and forcefully to break Apple’s stranglehold on the market.”

With the DMCC now enforceable, the U.K. has an Apple-shaped target on its back. For the DMCC to work as those who have designed it intended, the following must also occur:

  • The App Store and iOS should be designated promptly, with this designation being the first focus of the Digital Markets Unit (DMU). Apple themselves have even acknowledged the shortcomings in their App Store to increase competition. App stores are often people’s main gateway to the internet, and the competition regulator has already found that Apple’s anti-competitive behavior is costing U.K. consumers billions.
  • Action should be taken as soon as possible with eyes open to the likelihood that Apple will fight tooth and nail to avoid opening up to competition. The longer this takes, the more this is costing businesses and consumers and threatening the future of U.K. tech innovation.

Importantly, the regulator has political backing to use its powers as robustly as possible to enforce the regulation. 

The DMCC is the first step in giving power back to U.K. consumers. The U.K. now has the opportunity to lead the fight against Apple’s market dominance and show the rest of the world how it’s done.

*Update January 2025: GOV.UK announces SMS investigation into Apple’s mobile ecosystem.

Spotify Reports First Quarter 2024 Earnings

Today, we announced our first quarter 2024 earnings. In a solid start to the year, Spotify reported…

  • Monthly Active Users grew 19% Y/Y to 615 million.
  • Subscribers increased 14% Y/Y to 239 million.
  • Total Revenue was up 20% Y/Y to €3.6 billion.
  • Gross Margin reached 27.6%.
  • Operating Income improved to €168 million.

“We’ve talked about 2024 as the year of monetization and we’re delivering on that ambition,” said Spotify co-founder and CEO Daniel Ek. “Now as we’ve shifted to focus on strong revenue growth and margin expansion, we see a clear opportunity to ensure we are also continuing to grow the top of our funnel. I feel good about the changes we are implementing and remain very confident in our ability to reach the ambitious plans we’ve outlined.”

Interested in hearing more? Click here to review the full earnings release, and listen to the webcast Q&A on our Investor Relations site here.

An Update on December 2023 Organizational Changes

Earlier today, CEO Daniel Ek shared the following note about the company’s organizational changes with all Spotify employees.

Team, 

Over the last two years, we’ve put significant emphasis on building Spotify into a truly great and sustainable business – one designed to achieve our goal of being the world’s leading audio company and one that will consistently drive profitability and growth into the future. While we’ve made worthy strides, as I’ve shared many times, we still have work to do. Economic growth has slowed dramatically and capital has become more expensive. Spotify is not an exception to these realities.

This brings me to a decision that will mean a significant step change for our company. To align Spotify with our future goals and ensure we are right-sized for the challenges ahead, I have made the difficult decision to reduce our total headcount by approximately 17% across the company. I recognize this will impact a number of individuals who have made valuable contributions. To be blunt, many smart, talented and hard-working people will be departing us.

For those leaving, we’re a better company because of your dedication and hard work. Thank you for sharing your talents with us. I hope you know that your contributions have impacted more than half a billion people and millions of artists, creators, and authors around the world in profound ways. 

I realize that for many, a reduction of this size will feel surprisingly large given the recent positive earnings report and our performance. We debated making smaller reductions throughout 2024 and 2025. Yet, considering the gap between our financial goal state and our current operational costs, I decided that a substantial action to rightsize our costs was the best option to accomplish our objectives. While I am convinced this is the right action for our company, I also understand it will be incredibly painful for our team. 

To understand this decision, I think it is important to assess Spotify with a clear, objective lens. In 2020 and 2021, we took advantage of the opportunity presented by lower-cost capital and invested significantly in team expansion, content enhancement, marketing, and new verticals. These investments generally worked, contributing to Spotify’s increased output and the platform’s robust growth this past year. However, we now find ourselves in a very different environment. And despite our efforts to reduce costs this past year, our cost structure for where we need to be is still too big.

When we look back on 2022 and 2023, it has truly been impressive what we have accomplished. But, at the same time, the reality is much of this output was linked to having more resources. By most metrics, we were more productive but less efficient. We need to be both. While we have done some work to mitigate this challenge and become more efficient in 2023, we still have a ways to go before we are both productive and efficient. Today, we still have too many people dedicated to supporting work and even doing work around the work rather than contributing to opportunities with real impact. More people need to be focused on delivering for our key stakeholders – creators and consumers. In two words, we have to become relentlessly resourceful.

I know you will all be anxious to hear the next steps about how this process will work. If you are an impacted employee, you will receive a calendar invite within the next two hours from HR for a one-on-one conversation. These meetings will take place before the end of the day on Tuesday, and while Katarina will provide more detail on all of the specifics, please know the following will apply to all of these bandmates:

  • Severance pay: We will start with a baseline for all employees, with the average employee receiving approximately five months of severance. This will be calculated based on local notice period requirements and employee tenure.
  • PTO: All accrued and unused vacation will be paid out to any departing employee.
  • Healthcare: We will continue to cover healthcare for employees during their severance period. 
  • Immigration support: For employees whose immigration status is connected with their employment, HRBPs are working with each impacted individual in concert with our mobility team. 
  • Career Support:  All employees will be eligible for outplacement services for two months.

For the team that will remain at Spotify, I know this decision will be difficult for many. Please know we are focused on treating our impacted colleagues with the respect and compassion they deserve.

Looking Ahead

The decision to reduce our team size is a hard but crucial step towards forging a stronger, more efficient Spotify for the future. But it also highlights that we need to change how we work. In Spotify’s early days, our success was hard won. We had limited resources and had to make the most of every asset. Our ingenuity and creativity were what set us apart. As we’ve grown, we’ve moved too far away from this core principle of resourcefulness. 

The Spotify of tomorrow must be defined by being relentlessly resourceful in the ways we operate, innovate, and tackle problems. This kind of resourcefulness transcends the basic definition – it’s about preparing for our next phase, where being lean is not just an option but a necessity.

Embracing this leaner structure will also allow us to invest our profits more strategically back into the business. With a more targeted approach, every investment and initiative becomes more impactful, offering greater opportunities for success. This is not a step back; it’s a strategic reorientation. We’re still committed to investing and making bold bets, but now, with a more focused approach, ensuring Spotify’s continued profitability and ability to innovate. Lean doesn’t mean small ambitions; it means smarter, more impactful paths to achieve them. 

Today is a difficult but important day for the company. To be very clear, my commitment to our mission and belief in our ability to achieve it has never been stronger. I hope you will join me on Wednesday for Unplugged to discuss how we move forward together. A reduction of this size will make it necessary to change the way we work, and we will share much more about what this will mean in the days and weeks ahead. Just as 2023 marked a new chapter for us, so will 2024 as we build an even stronger Spotify. 

– Daniel

Tech Creator iJustine Shares Her Favorite Ways To Dig Deeper Into Her Latest Obsessions

You may have noticed that we’re into helping our listeners find something new. A combination of beloved personalized Spotify playlists like Discover Weekly, editorially-curated standouts like Fresh Finds, new playlist-enhancing features like Smart Shuffle, and our listeners’ thirst for auditory adventures means that nearly two billion music discoveries happen on Spotify every day.

But we’re not the only ones who love discovery. Every day, creators around the world share their favorite playlists, products, and people with their followers, helping their fans, in turn, fall in love with the next best thing. In For the Record’s new Discovery Monday series, we talk to content creators about recent discoveries, covering everything from music to podcasts, as well as food, fashion, TV, beauty, and more. 

We’re kicking off with iJustine, a tech creator, podcast host, and dog mom. The lifestyle vlogger dives into new trends, tech, and hobbies—her latest is literally diving—speaking to entrepreneurs and attending product launches. 

Your videos help build understanding of the tech world. How did you make this your niche?

Finding tech, for me, and creating content around it was sort of just an extension of something that I naturally did growing up and in my everyday life. A curiosity and wonderment of how things work is what brought me to tech. When I was younger, I used to take things apart and then my parents would be like, “Oh no, now we have to figure out how to fix this.” Till now, that approach has been amazing because there’s never a shortage of things to make videos about. There’s always new tech, and especially recently with AI. And I like to create; making videos is fun for me, and I really genuinely love all the behind-the-scenes stuff that goes into the videos. There’s just so much to talk about, and it really is a never-ending source of content.

Why do you love introducing your followers to new tools, products, and people?

I love having the opportunity to interview a CEO or an entrepreneur—people I look up to. It’s been so fun to hear their journeys and then bring them into my world. 

I have a very interesting audience. A lot of them are younger women and girls who are kind of trying to figure out their way. I want them to see somebody in a space that makes them feel safe. Because when I was younger, playing video games and doing things that I am into now—it wasn’t cool. And I was being made fun of for it. But now I’m like, “Man, you guys got it made!” Because being into tech is cool now. So, I just want people to be able to explore that. Even if it’s not cool now, you never know. Might be later.

What tools or resources do you use in your research? 

I always ask my audience for suggestions. Even recently, I was asking for good diving spots in Oahu, and I would much rather hear from a person directly. I find almost all of my things from my viewers or audience or friends who are following me. It’s kind of awesome because it’s like, yeah, I could have Googled it, but I would rather hear from someone who actually has been there and experienced it and knows if it’s something that I would like. 

What have you been listening to lately? Old favorites? Something new? Or somewhere in between?

I’m definitely open to discovery, but recently, I do feel like when I open up Spotify, I go to my favorites. Recently, my sister and I went on a trip and we went back to our 2018 Hawaii playlist, and we were basically reliving the trip through our music from 2018. So, it’s kind of fun to kind of go back, and the fact that, like, we’ve both been on Spotify for so long meant we were able to go back to all these playlists and kind of relive that piece of history and memories through music, and that’s always so fun for me.

What’s your favorite way to discover on Spotify? Do you use playlists like Discover Weekly, features like AI DJ, or tools like Smart Shuffle?

I’m a huge fan of Smart Shuffle because I love being able to go back into my old playlists and use Smart Shuffle to reinvigorate them. You do spend so much time curating those, and it does bring you back to a specific moment. So, being able to just add some new songs in, and, I mean, some of my playlists are super short, so being able to add in stuff that I’ve already done is really cool.

I also almost always go to the top new songs playlist, Today’s Top Hits. I love being able to just scroll through it because it’s all genres. And, I mean, I definitely love pop, rock, and I used to be really into heavy metal, but that was, you know, a little bit of a phase during high school and college. But it is fun to kind of go back to that playlist because I love so many genres of music and that playlist does have a little bit of everything. I’m also always going back to the 90s playlists because I love nostalgic music. 

What Niche Mixes playlist would you search for?

Classical heavy metal mix. That would be pretty awesome to hear. We’re gonna be head-banging out! 

A rapid-fire round of your favorite recent discoveries: Let’s start with artists or genres.

I am obsessed with OneRepublic, so I’ve been really enjoying remixes of some of my favorite songs of theirs. It’s a good way to break out of my normal listening habits. 

Any new podcasts you’ve gotten especially into lately? How did you discover them?

I just started listening to Heal Squad x Maria Menonous. She always has so many helpful tips about healing your body, and she has so many incredible guests on. She actually invited me onto it and that’s how I found out about it, and now I’m obsessed. 

Are you an audiobooks fan? What’s your favorite way to listen?

I am addicted. I will cycle through audiobooks so fast because I need to stay distracted to keep my brain focused on things. When I’m doing laundry, cleaning, I’ll have an audiobook on. I recently got into nonfiction audiobooks, and I love listening to history and self-help. I also watched the Daisy Jones and the Six series and then have listened to every single Taylor Jenkins Reid audiobook over the past few months.

What’s your latest obsession?

That’s usually every single random new hobby that I get. And recently, I got into diving. So now I’m buying all the diving gear; I’m looking for diving creators, places to go. I’m definitely one of those people who’s like, when I start doing something, I go 100%. There’s no backing down. 

Catch iJustine and her sister Jenna in their video podcast, Same Brain, including her interview with Spotify CEO Daniel Ek.

Trevor Noah on Podcasting, Spotify’s Global Platform, and Telling Your Own Story

Earlier today while in conversation with Spotify co-founder and CEO Daniel Ek, comedian, author, and former Daily Show host Trevor Noah revealed that he’ll be moving into the world of podcasting with a new Spotify Original podcast, launching later this year. 

“My passion and my joy has always been connecting people and connecting ideas,” Trevor explained to Daniel. “I think we live in a world where as we become more connected, ironically, we become a little disconnected. And so, what I’ve always liked to do is try to connect and draw those threads between ideas, between people. That’s what I’ll continue to do with the podcast.”

From the stage at Spotify Beach at the Cannes Lions International Festival of Creativity, he went on to explain that his new podcast won’t focus specifically on any one type of person—or on breaking news. “I’m going to be finding a story, person, and world, and then trying to thread those things together,” he said. “Not in a way that’s reactive, not in a way that’s specifically tied to what people think of as news, but rather cultural moments, ideas, that give us a better understanding of the world we live in. Some of them might be funny; some of them might be deep; some of them might be intense stories. But they’ll all be stories that we want to talk about and ideas that we want to share.”

In addition to the announcement, Trevor and Daniel discussed navigating different mediums to forge a deeper connection with audiences, and how creators can effectively leverage new technologies in an ever-evolving media landscape. Read on for highlights from their conversation. 

Daniel: What is it about the format of podcasting that really intrigues you?

Trevor: Every format, if you’re a storyteller, presents you with an opportunity to tell a story differently. So, television obviously occupies certain senses: You watch it and listen. When you’re on stage, it’s a live experience. And so, everything that is communicated is happening instantly, and then it’s gone. 

What happens with the podcast, that I love, is it’s akin to radio, which I did many, many years ago in South Africa. And it’s intimate. It is everywhere. And it connects you in a way that not many mediums can. I don’t know about you, but I listen to podcasts in some of my most private settings—when I’m driving, commuting, taking a walk—and it feels like it’s just for you. It becomes your own journey, at your own time, in your own way. It doesn’t have the “you missed it” feeling that some other media has, and it also doesn’t have the en mass feeling either. 

Daniel: How do you think this format will be different than something like The Daily Show?  

Trevor: The Daily Show was fast, reactive, fun. It’s happening and you’re responding. I think what I’m aiming to do with this podcast is enjoy taking a little more time processing, synthesizing—you know, finding the ties between and not focusing on one particular area. It’s a lot broader. I mean, you know, your platform: 500 million people all over the globe—that gives you an opportunity to expand the purview of what you’re talking about. 

Daniel: You have a lot of ideas both on that and around perhaps how brands can interact with you on the show. Care to share with the audience a little bit of those thoughts? 

Trevor: I think podcasting presents a unique opportunity to brands—one that hasn’t been fully realized. I find there’s always a clash in that a brand is trying to achieve its objectives by trying to get to consumers, trying to get its message out, and then the show or the product or the artist are also trying to do their thing. And then you find there’s a clash of creative; there’s a clash of ideas; there’s a clash of authenticity. And what I’ve always struggled to understand is why that connection isn’t more organic. I think everyone can connect to a brand that they like, that they enjoy, that they want to be a part of. And I don’t think there’s anything wrong with that. I think finding that connection is key. 

And so, I’ve always wondered why in podcasts, for instance, instead of brands trying to be associated with the entire podcast, why don’t they focus on sections in a podcast? Why don’t they look at moments and say, “Hey, this is what I want to be a part of—so I don’t have to cosign everything else that happens on this podcast. I just want to have fun in the section. This tech section or politics section or pop culture section is what our brand stands for.” And so, I think there’s a segmentation that can occur that can provide a brand and creative with more opportunities for flexibility and authenticity. 

Daniel: What does being “global” mean to you? What strategies have you pursued in order to bring a global lens to your work? 

Trevor: I’m very intentional in trying to create something as many people as possible can enjoy. I hope that you will share my sense of humor. I hope that I can interest you with what I find interesting, and I hope that I can learn from you as well. I learn from my audiences, which I think is a wonderful space to exist as a creator. I don’t claim to be the know-it-all who discovers everything. I’m lucky enough to be able to listen to my fans because we have an age of technology where we can do that. So that’s something that definitely was intentional. 

And then, on the other hand, I’ve always loved that I come from a very mixed and international family. You know, my dad is Swiss and my mother is Xhosa, from South Africa. So I always knew that the world existed as more than one group of people. We’ve always been connected across the globe. I don’t think I’ve ever thought of any world or any story as being isolated to the place that it happens in.  

CANNES, FRANCE - JUNE 20: Spotify's CEO and Co-Founder Daniel Ek joins author and comedian Trevor Noah to discuss the future of storytelling at Spotify Beach on June 20, 2023 in Cannes, France. (Photo by David M. Benett/Dave Benett/Getty Images for Spotify)

Daniel: What podcasts are you listening to and loving?

Trevor: Alex Cooper’s podcast, Call Her Daddy, is amazing. She’s phenomenal in how she’s grown and expanded. She’s another example of someone who had one niche, and she’s grown and shown the multifaceted woman that she is, like all women. Podcasts afford everybody the opportunity to share something.

Daniel: What advice would you give someone who is just starting out on social media?

Trevor: Social media has been amazing in connecting people. But what it has been terrible at is providing the context for that connection. And without context, every interaction can go the wrong way. There was a time when social media was you speaking to people whom you knew or were connected to. And so the context was maintained. Everyone understood every joke or every point of view you had because of how insular it started. Now you don’t know—your message, your tweet, your post, your whatever can go to people hundreds of thousands of miles across the globe who don’t get the full context. Context defines everything.

My job is to try and provide you the most context possible. That’s all I’m trying to do—give you the most. But there will never be all the context unless I’m speaking specifically to every single person individually. And so, as a society, I think that’s what we need to work on.

Catch all the conversations happening on the ground at Cannes on Newsroom.Spotify.com/SpotifyBeach2023 and listen to Daniel and Trevor’s full conversation on Spotify.

Foo Fighters, Florence + The Machine, A$AP Rocky, Jack Harlow, Trevor Noah, Alex Cooper, Issa Rae, Emma Chamberlain, and More To Join Spotify Beach at Cannes Lions

Next week, Spotify is returning to the South of France for the Cannes Lions Festival of Creativity, where we’ll transform Spotify Beach into a hub of activity dawn ’til dusk as we celebrate a new way to play. And we’re bringing along some big-name friends to join in the fun.

Our special opening-night soiree will feature an intimate performance by Grammy Award-winning artist H.E.R., as well as a DJ set from the unparalleled Collyer Twins

We’ll be hosting daytime masterclasses and nighttime events beginning Monday, June 19, and continuing through Thursday, June 22, emphasizing our focus on creativity, connection, and innovation. Attendees can look forward to sessions featuring Spotify leaders and guests including Alex Cooper, Issa Rae, Emma Chamberlain, and world-renowned football player Cesc Fàbregas. Author and comedian Trevor Noah will join Spotify CEO and Cofounder Daniel Ek for a conversation on the future of storytelling. Throughout the day, catch DJ Toyin spinning sets.

Then, as night falls on Tuesday, Florence + The Machine and Jack Harlow will take to the stage accompanied by DJs will.i.am and Uncle Waffles. Wednesday is primed for world-class performances from Foo Fighters and A$AP Rocky, and a DJ set from Disclosure. And our house DJ Taylah Elaine will brighten the beach with music throughout it all.  

Spotify Beach itself will feature several interactive experiences, like daily sound bath meditations, an immersive Songs of Summer soundscape, an FC Barcelona play zone, a “Sonic Sips” coffee-and-juice bar, a custom sunglasses gifting station, and much more.  

Read on for a full list of the sessions on the ground, then check back next week here on For the Record for the full takeaway from our novel masterclasses. 

Monday, June 19

Building a brand is more than meets the eye…and ear 

Owning your craft takes dedication, consistency, and commitment—something Spotify’s Taj Alavi, VP, Global Head of Marketing; Loewe’s CMO Charlie Smith; and Anything Goes creator Emma Chamberlain all know well. The trio will share their approaches to what they create; their style around partnerships and projects, brand building, and brand positioning; and how to engage the next generation of streamers.

Top hits and goal-scoring kicks: fandom, football, and media 

We’re hosting a conversation between football legend Cesc Fàbregas, award-winning football Freestyler Pola Gomez, Samsung Europe CMO Benjamin Braun, and Bradford Ross, Coca-Cola’s VP Global Sports and Entertainment Marketing and Partnerships. They’ll dive into the obsessive fan culture surrounding sports and how brands tap into fandoms of all kinds. 

Tuesday, June 20

The cutting edge of creativity and storytelling 

Join Daniel Ek and Trevor Noah at Spotify Beach as they discuss the future of storytelling and the art of navigating different mediums to forge a deeper connection with worldwide audiences. They’ll offer insights on how creators can tell stories in more meaningful ways and effectively leverage new technologies in the ever-evolving media landscape.

The art of the interview 

You don’t need to be an investigative reporter by trade to benefit from learning how to conduct a masterful interview. Things get meta as Spotify’s Chief Public Affairs Officer, Dustee Jenkins, sits down with Alex Cooper, Creator, Host, and Executive Producer of Call Her Daddy, to discuss the art of the interview. Learn how to craft the right questions, disarm your subject, and get straight to the heart of the matter.

Wednesday, June 21

Connecting to the sound of culture 

Spotify’s Global Head of Artist Partnerships, Joe Hadley; Tye Comer, Creative Development and Founder of Spotify’s Outside Voice program; and Erin Styles, Global Head of Ads Business Communications & PR, will spotlight producer-actress-writer Issa Rae; SVP of Marketing at Frito-Lay North America, Tina Mahal; and WACL President Rania Robinson. They’ll discuss the importance of culture-shaping programs that support and amplify diverse voices. This comes as part of Spotfiy’s continued commitment to empowering creators and inspiring our audience to elevate underrepresented communities in their own work.

DJ Mixer

Turn it up with Spotify’s very own Xavier “X” Jernigan, Head of Cultural Partnerships and the voice of AI DJ. We’re rolling up the carpet for an afternoon mixer complete with games, cocktails, mingling, and—maybe—a surprise or two. 

So bookmark For the Record, follow @SpotifyNews and @SpotifyAds on social media, and stay tuned for much more as we discover a new way to play.